Publisher: Gagosian
Measurements: 10 × 11.5 inches
Format: Hardcover
Condition: New
Published to accompany the exhibition Picasso: Tête-à-Tête at Gagosian, 980 Madison Avenue, New York, this volume marks a special collaboration with Paloma Picasso, the artist’s daughter. Featuring more than fifty rarely exhibited works—paintings, sculptures, and drawings—spanning from 1896 to 1972 and primarily sourced from Picasso’s estate, the exhibition took a non-linear approach to curation. Mirroring the method Picasso used for his own 1932 retrospective, pieces from different periods were placed in dialogue, inviting viewers to uncover unexpected connections across time.
The catalogue is richly illustrated with full-color plates and includes extensive photography of the installation. It presents each work from the show along with close-up details and archival images capturing Picasso and his studio environments. Contributions include an introduction by Larry Gagosian, a conversation between Paloma Picasso and artist Peter Doig reflecting on her father’s artistic legacy and the exhibition’s genesis, an essay by Michael Cary exploring the wide scope of Picasso’s practice, and a translated 1932 interview between Picasso and E. Tériade.
Publisher: Gagosian
Measurements: 10 × 11.5 inches
Format: Hardcover
Condition: New
Published to accompany the exhibition Picasso: Tête-à-Tête at Gagosian, 980 Madison Avenue, New York, this volume marks a special collaboration with Paloma Picasso, the artist’s daughter. Featuring more than fifty rarely exhibited works—paintings, sculptures, and drawings—spanning from 1896 to 1972 and primarily sourced from Picasso’s estate, the exhibition took a non-linear approach to curation. Mirroring the method Picasso used for his own 1932 retrospective, pieces from different periods were placed in dialogue, inviting viewers to uncover unexpected connections across time.
The catalogue is richly illustrated with full-color plates and includes extensive photography of the installation. It presents each work from the show along with close-up details and archival images capturing Picasso and his studio environments. Contributions include an introduction by Larry Gagosian, a conversation between Paloma Picasso and artist Peter Doig reflecting on her father’s artistic legacy and the exhibition’s genesis, an essay by Michael Cary exploring the wide scope of Picasso’s practice, and a translated 1932 interview between Picasso and E. Tériade.
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