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Maison Plage
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Shop
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Art
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Art Cecily Brown
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Cecily Brown

$50.00
1 available

Publisher: Gagosian

Measurements: 7.75 x 9.5 inches

Format: Hardcover

Condition: New

Published in relation to Cecily Brown’s first solo exhibition in Paris at Gagosian, Cecily Brown showcases imaginative new paintings that coincide with the art historical genres of the figure study and the nude ensemble.

Drawing inspiration from Impressionism and nineteenth-century genre painting, Brown recreates the relationships between representation and abstraction, past and present.

This title features a twenty-six-page accordion-fold pullout reproducing the exhibited paintings and a booklet with an essay by James Lawrence, translated into the French for the first time, both bound in a hardcover case.

Add To Cart

Publisher: Gagosian

Measurements: 7.75 x 9.5 inches

Format: Hardcover

Condition: New

Published in relation to Cecily Brown’s first solo exhibition in Paris at Gagosian, Cecily Brown showcases imaginative new paintings that coincide with the art historical genres of the figure study and the nude ensemble.

Drawing inspiration from Impressionism and nineteenth-century genre painting, Brown recreates the relationships between representation and abstraction, past and present.

This title features a twenty-six-page accordion-fold pullout reproducing the exhibited paintings and a booklet with an essay by James Lawrence, translated into the French for the first time, both bound in a hardcover case.

Publisher: Gagosian

Measurements: 7.75 x 9.5 inches

Format: Hardcover

Condition: New

Published in relation to Cecily Brown’s first solo exhibition in Paris at Gagosian, Cecily Brown showcases imaginative new paintings that coincide with the art historical genres of the figure study and the nude ensemble.

Drawing inspiration from Impressionism and nineteenth-century genre painting, Brown recreates the relationships between representation and abstraction, past and present.

This title features a twenty-six-page accordion-fold pullout reproducing the exhibited paintings and a booklet with an essay by James Lawrence, translated into the French for the first time, both bound in a hardcover case.

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